The Song Of The Decade: A Pre-Pitchfork Prediction

Despite the fact that this decade is in no way over, Pitchfork Media is still going ahead and publishing their top 500 tracks of the 2000s. Though I hope that Lightning Bolt’s new album, Earthly Delights (out Nov. 13) includes at least one track that makes the Pitchfork writers sorry they jumped the gun, the truth is that there’s probably nothing left in the 2000s that will significantly affect Pitchfork’s list. Which is not to say they didn’t mess up; if listing 300 tracks without a word of description for any isn’t a cheap trick, then I don’t know what is. However, I’m not here to review Pitchfork; I’m here to beat them to the punch and name my best track of the 2000s, which won’t be bettered in the next four months and probably not in the next four years. Yes- All My Friends is just that good. Read on; For all of its virtues, Someone Great never struck me as a particularly emotionally resonant song. Something in James Murphy’s falsetto lends the song a certain archness that’s been apparent in nearly every LCD Soundsystem song, from Losing My Edge to New York, I Love You, But You’re Bringing Me Down. So, as good as Someone Great is, it seemed to lack a genuine emotional push, which is probably because Murphy made the music (taken from 45:33) before the words, which he probably made up on the spot. It was the “emotional” (quotation marks very important) song I expected LCD to make; musically fantastic, lyrically witty, and with a raised eyebrow All My Friends is a bit different, as it marks the point where even though Murphy references Steve Reich with the piano, he doesn’t need to make the song about Steve Reich and how he was totally into Music For 18 Musicians before you and your friends were. It’s a cutting song, but the damning lyrics are sympathetic, unlike pretty much every other song Murphy ever wrote. All My Friends is about living a hedonistic life and finding it hollow, about aging and regretting, and, despite the first person, about Murphy himself. Losing My Edge, LCD’s first song, was also about Murphy. But the difference between this and All My Friends is the difference between Rodney Dangerfield and Woody Allen. What Losing My Edge lacks is transcendent; what All My Friends lacks is the designation of best song of the decade. Coming from me, it doesn’t matter too much, but if any song represents the general mood of the 2000s (slightly elegiac, darkly humorous, emotional), it’s this one. And you can dance to it.


2 Responses to “The Song Of The Decade: A Pre-Pitchfork Prediction”

  1. wonderful review — love LCD. best song and you can dance to it.

  2. musiclover Says:

    AHHH who is excited for Alex’s solo album!?I certainly am AND btw his album will be out exclusively on Bracelets! The Bracelets are Available Oct 30th 2009! I am soo excited! Go to and for details!! and Go Check out Alex’s personal blogs !!

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